Threshold, 2025

Solo exhibition at Woollahra Gallery, Sydney , 9 April - 4 May 2025

I have often wondered if the houses that we have lived in remember any of us - if there might be some small molecular sediment of self that has lodged in the spaces between floorboards. Each house is, in its way, a palimpsest- an accumulation of movements through rooms, up and down stairs, along corridors, a hollowing out of space by bodies no longer there.
— Macushla Robinson, 'Ripples in Sandstone' catalogue essay

Threshold responds to the history of Woollahra Gallery, formerly owned by the Moulder Family (1913-1919) and likely named after the patron saint of Ireland, St. Brigid. Lemoh was drawn to the historical contrasts between the spacious upstairs living quarters of the family and the ‘grim’ downstairs spaces occupied by the servants. Of particular interest is the largely undocumented experience of the women, who played a vital role in maintaining the home. The works in this exhibition include casts of the artist’s body and elements of the building. Symbols such as staircases and cast-glass oranges (made using the pâte de verre technique) offer a symbolic reimagining of power dynamics, focusing on gender and class divides.

Link to full catalogue essay ‘Ripples in Sandstone’ by Macushla Robinson.

Image of plaster cast of artist foot and glass oranges

Threshold, 2024, plaster and pate de verre glass.

Photography: Damien Geary

Sculpture of orange steel staircase outline and bronze orange

‘On the edge of each step’, 2025, sandstone, steel, bronze

Photography: Jessica Maurer

cast brass welcome mat featuring the text 'St Brigid'

‘St Brigid’, 2025, cast brass

Photography: Jessica Maurer

installation view

Installation view

Photography: Jessica Maurer

installation view

Installation view

Photography: Jessica Maurer

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Canberra Biennial, 2024